#atozchallenge: Love The Way You Lie

Tell all the truth but tell it slant,
Success in circuit lies,
Too bright for our infirm delight
The truth's superb surprise;

As lightning to the children eased
With explanation kind,
The truth must dazzle gradually
Or every man be blind. 

Emily Dickinson (Poemhunter)

Do you believe that ? That truth must dazzle gradually?

2014: A Year In Stories
A twelve-volume anthology published by Pure Slush Books

Truths, especially the hard ones, can be difficult to hear. By easing "with explanation kind", by mitigating and diluting, you're being considerate. Benign. Or so you tell yourself.

Where is the line, though? Where does a "slant" truth end and a lie begin? And the lies--the slanted truths--that we tell, that we feel we must tell... What does that say about us?

Mark Hamilton is caught in a lie by his wife. He alibis for another baseball player, telling the man's wife that Mark was out to dinner with her husband the previous night when he was not. When his wife Angela catches him in this lie, he tries to justify himself by claiming that his teammate's loyalty will result in improved performance and thus income, while telling the truth would brand him as disloyal, a label that could result in struggles to find future employment. She is not impressed. As the child of an alcoholic, she detests lying in all its forms, and she wonders if the same code applies to Mark. Have his teammates lied to her as well?MICHAEL WEBB

Trudy Polaris's husband lied to her to get her to stay in the Tyrol ... and then she becomes a tax hostage. But Trudy is a big liar anyway, so who knows where the truth sits! I don't think Trudy does!SALLY-ANNE MACOMBER

Motivations for lying are many and varied. In "Compassion" Stephen lies about his writing progress because he doesn't want Anne to catch him out. By why is that? On one level, there's the knowledge that he will be letting her down again and he wants to save her from that pain. There's also the knowledge that if she catches him, she will become verbally aggressive--this is a pattern between them--and he wants to protect himself. Perhaps the most important consideration is that by being caught, he is in fact confirming Anne's opinion that he does not apply himself, that he cannot be trusted, that he is a failure and imposter at his craft. This impulse doesn't even rise to the level of consciousness, yet it is likely the fundamental driving force of his reaction in the moment. The other considerations are mere shadow play.STEPHEN V. RAMEY

What lies do you tell? To what purpose?

Thanks for visiting, and happy A-to-Z-ing!

#atozchallenge: Kiss & Tell

2014: A Year In Stories
A twelve-volume anthology published by Pure Slush Books

My first kiss was beautiful. Maybe even Disney corny. It happened after (not during, mind you; that would've been sleazy) seeing the movie Some Kind Of Wonderful at the theater on a Thursday afternoon.

(Maybe it was a Monday. Or a Wednesday. What? It was a long time ago.)

It was soft, and intense, and long. And I was in love with the guy even before he kissed me. He was my first love, and we were together for seven years.

But, apparently, I'm a minority. At least as far as the characters of the 2014 project are concerned.

Nadia refuses to count her first kiss as the time Robbie Hill tried to shove his tongue down her throat during a spin the bottle game at school camp. So she jumps forward to when Tom McKinnon kissed her at her thirteenth birthday party, back when he still treated her like his best mate's kid sister, back long before they started going out together. That brief, unexpected, innocent brush of lips across her left cheek, that's the first kiss she wants to remember. (MANDY NICOL)

(Keep in mind that this is not (entirely) autobiographical.) Stephen first kissed Anne standing on the doorstep of an apartment house where their writing group had just met. They had been meeting in the group for more than a year, but Stephen remained oblivious to her interest. Intensely introverted, he had given up on love by this point (he was in his late twenties) and immersed himself in his work and a few hobbies, one of which was fiction writing. He saw Anne as a pleasant fellow writer with a talent for story structure. (STEPHEN V. RAMEY)

Mark Hamilton's first kiss was at 15. He was helping to unload the assistant coach's minivan at an amateur baseball tournament. He was not unaware of girls, but his concentration on athletics did not leave a lot of room for socializing. The assistant coach's stepdaughter stopped him as he was removing a long canvas bag of bats from the back of the van. She stood unusually close to him, her dusty painted toes inches from his baseball spikes, and wrapped her arms around him when he straightened up. Smelling like Pepsi, she leaned in close and pressed herself against him. They kissed, and she whispered, "Good luck today, Marky." Whether coincidence or not, he struck out 12 in 7 innings and hit a home run that day. (MICHAEL WEBB)

Luis Villalobos was ten. There was a girl he sort-of liked, sort-of hated--you know how at that age inter-gender relationships are weird like that--and one day in the school yard he cornered her in the alley between two buildings. He was after her Hershey's chocolate bar, the kind that back then wasn't available in Mexico and had to be imported from the US. But when the girl gave up the bar, he changed his mind and lunged in for a kiss instead. Well, "kiss"... The girl screamed and ran away with a bloody lip, and Luis bore a tooth-shaped bruise on his chin for the two weeks he was grounded. But the nickname Vampiro stuck for much longer than that. (GUILIE CASTILLO)

~ * ~

What was your first kiss like? Did it live up to your expectations, or did it happen before you had any expectations? What is a first kiss, anyway? Do we agree with Nadia that a spin-the-bottle mashing of lips doesn't count? And is a first kiss all that important to begin with?

Thanks for the visit, and happy A-to-Z-ing!

[You guys, I owe you an apology. I'm behind on posting, on replying to comments, on visits... I will catch up this weekend. I will be all over the internet, returning the love you've shared so generously. You're wonderful, all of you, and I'm honored every time you visit. Thank you!]

#atozchallenge: Jobs R Us

2014: A Year In Stories
A twelve-volume anthology published by Pure Slush Books

Does your occupation define you? Or does who you are define your occupation?

I submit that, in a world that relies on stereotypes, jobs become a part of society's perception of us--accurate or not. And fiction's no different. The work that a character does becomes a cornerstone of the image we create of this person.

Am I right or am I right?

These are the jobs some of the 2014 characters have. Unconventional, borderline stardom, eccentric, mundane. What kind of person do you think they are? Share in the comments; I'd love to know.

MATT POTTER: Morgana Malone starts the series on her first day (Jan 25th) in a new volunteer position: guide in an art gallery. In February she's working as the Admin Junior in her ex-husband's therapy practice, 'up-managing' the Admin Senior, the ex-porn star Zebadie who is set to marry Morgana's ex-husband Grigor. (Zebadie can't use a computer for the patient billing while Morgana can.) Through the middle of the year she is unemployed and spending too much time on the internet. Then she takes a job delivering junk mail for 'Knights of the Polish Cross' sauvignon blanc. Later, under family pressure, she starts work in the family business, a bakery... and just what she is doing by the end, in December, who knows... But the last day will be Christmas Day so it may well involve food and Christmas cheer.

SUSAN TEPPER: Pedersen doesn't make a living, he collects checks from his stint at Desert Storm. They probably discharged him on mental disability.

MANDY NICOL: Nadia is a seamstress. She loves fabric and colour and fashion and creating with her hands. She's a very good seamstress. She works from home--great idea, hey? Be your own boss, work your own hours, no commute to deal with. Except she lives with her demanding and overbearing mother so she is slowly but very surely suffocating.

MICHAEL WEBB: Mark Hamilton is an American professional baseball player, specifically a short reliever. He is not a star, but is very well compensated, and has managed to earn a good living through his career. He is a somewhat fungible commodity, valuable, but not special, someone who gets the team out of a sticky late game situation, ideally preserving a lead so that the team's star reliever can come in and earn the save and the glory at the end. His team is never specifically named, but he and his family live in Arizona full time, since his oldest son is now in elementary school.

He is uncomfortable with the fame and money that comes with so simple a profession, but he has no other really marketable skills, so he is somewhat happy to keep doing it for as long as they wish to pay him to do so. He understands the necessity of the constant travel, but he misses his family, specifically his daughter, who he barely knows because he has been gone for so much of her life. He also knows well that the attrition rate for professional pitchers is very high, so he constantly fears a career ending injury that would force him to get a real job.

STEPHEN V. RAMEY: Stephen is a writer, which at this point means he picks up a few dollars with nonfiction and editing, but is mostly focused on his fiction. The first three novels were never finished, but he's working on one now that's going to put him on the map. Anne manages a museum and volunteers with a local nonprofit. Stephen resents that she has sold out her dream. Anne resents that Stephen has sold out their marriage: if he worked part time, at least, life would be much easier.

Jobs are relevant to the story cycle, in that they provide tension between Stephen and Anne and narrative complication. Writing credentials get Stephen into the tent city and allow him to repeatedly avoid dealing with real problems. Anne's volunteer work brings them into direct conflict in one chapter.

GUILIE CASTILLO: Luis Villalobos is a tax lawyer, and a damned good one. His father is a lawyer, too; so was his grandfather, and two of his uncles. He got his first legal dictionary when he was seven, and he carried it around in his bookbag. It made him feel safe: he belonged in his family, his future was clear.

For Luis, his profession is a means to an end, and that end is fame and fortune. Fortune, first; fame only in the right circles. His profession is membership to the ultimate club of exclusivity. Which is why he came so close to turning down the Curaçao offer. A backwater in the Caribbean after the greatest financial centers of the world? But there was the possibility--certainty, if one read between the lines--of taking over as Managing Director next year. And that was irresistible.

~ * ~ 

What image did you form for these characters? Did you change your mind about whether a job defines you?

Thanks for visiting, and happy A-to-Z-ing!